That may not be a problem for narrative filming with short takes, but will be if you are recording a concert.Ģ) Once timecode is running, you need to 'go online' BEFORE pressing record - tick the 'Enable Synchronisation to Timecode' box at the top of this window (it will immediately start chasing - and playing anything already at that location), or I've set up the custom shortcut key 'F6' to do the same thing. As with all of these DAWs, the Wordclock needs to be synchronous too between Audio and Video or it will drift over time. Using the defaults WILL RUIN YOUR RECORDING with regular dropouts as it re-syncs! These settings will make it work similar to BoomRecorder - it will timestamp the new regions, but if incoming TC drifts or stops, it will keep on recording.

Change the other settings as follows: Freewheel = 0, Synchronise by Seeking Ahead = 1000, Re-Synchronise = 0, Skip / Drop Frames = 0, Offset incoming TC = as required. Tick the 'Start Playback on valid timecode' box. Select the LTC Input to whatever channel you are feeding with LTC. The way I find that works is to feed LTC into an input on your chosen Interface.ġ) Right-click on the Play Button to open the External Timecode Sync window. While you can in theory use MTC, with an external LTC to MTC convertor app like Lockstep, I've found it unreliable. You then have to go into this generator object and set the start time (presumably to match your timeline) and set the TC rate.Ĭhasing TC (or Timestamping) is not much easier. You have to create a separate track in your session and put a LTC (or MTC) Generator Object on it, and drag it out to be longer than your anticipated recording duration, then assign it to an appropriate output. Sending (generating) timecode is rather unusual.

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